Wake Me When it’s Over
This is going to be yet another one of those embarrassingly earnest, emotionally vulnerable, hastily assembled blog entries I regret posting the next day but will nonetheless leave published in fealty to some lofty sense of vulnerable frankness or truth-telling rectitude or whatever.
I’ve been on edge all week, as I imagine many people in the Twin Cities, regardless of their political stripe, have been. Emily and I were discussing it today and agreed it’s a combination of the prematurely autumnal weather and back-to-school week and of course the Elephant in the Arena-Shaped Room. Anxieties and fear and rancor had been slowly building for a week / year / decade—until this week they cracked and burst and were then hastily sealed back up again during and after skirmishes and ill-considered displays of indiscriminate force by the authorities and indiscriminate hooliganism by a small faction of so-called anarchists, on either side of what has lately felt like a rapidly widening cultural and ideological chasm.
What I’m about to say might sound shrill and obvious, but violence on anyone’s part—whether that of the government, the police, or the young brash and bored—makes me sick to my stomach, and a week’s worth of that violence only compounds the sickening trumpeting noise already generated by the aforementioned elephant, resulting in a cacophony that has drowned out the majority voice: a voice of thousands of reasonable and peaceful and constructive people who put a lot of hard work into waging intelligent, inspiring opposition. But intelligent opposition (some of it extremely compelling, well-organized, elegant opposition, with a clearly articulated message that’s above reproach and a delivery mechanism that left me in tears on Monday) isn’t nearly as mediagenic as the hype and the chaos, so it’s lost in the din.
But it’s more than that; it’s something more insidious and constant: it’s the sensory overload. Tonight I attended this event so I could write a review of it. It was entertaining and a good time was had by all. (My full review will be a bit longer than that.) Afterward, the Parkway Theatre stayed open so that the three hundred drunk liberals assembled could watch a live feed of McCain’s speech. For a while it was fun listening to the crowd hoot and boo the screen, and the Xcel Center’s oppositional infiltration was exciting, but the cumulative effect was just more nauseous noise, so that I found myself taking fewer notes and just sitting there, occasionally with my head in my hands, occasionally massaging my temples, unable to stomach any more of it from any person, institution, screen, page, blog, or ideological node on the multipartisan spectrum.
In short, I felt edgy, sick, disconnected, lonely, sad, and scared. There have been cultural, political, psychosensory intruders in our midst all week and around the point when the green screen on the cross-shaped stage showed its last hackneyed image, I reached my breaking point.
Also it probably didn’t help that I hadn’t eaten any dinner except for some trail mix and a bag of Whoppers.
So I left. I went outside into the chilly air and called my mom, which made me feel a bit better even as I realized I was regressing to a panicky childlike neediness, reaching for comfort and familiarity. Ideally I would have been lying on my grandmother’s couch in footy pajamas, simultaneously eating cinnamon toast, playing with Transformers, watching the Cosby Show, listening to Tears For Fears, and reading I, Robot, but that wasn’t going to happen. So instead I talked to my mom and felt a little better. Then I went back into the theater, where lo and behold Dan Wilson was playing “Closing Time” by himself on his acoustic guitar to a small crowd of smiling people sitting on the couches in the front rows, and I felt even better.
And better still, somehow, upon driving back into the heart of the beast of the lion’s den of the hellmouth that was downtown Saint Paul this week, parking and walking upstream against sidewalkfuls of drunk Republicans—loud beefy guys and tall severe Aryan women, flooding the bars and swarming the cabs and snogging against store windows—so I could hang out at a bar across the street from the Xcel Center with the editors of Wonkette until way too late on a school night. And when I drove home I again took refuge: listening to Crowded House and Jawbox and, yes, Tears For Fears, remembering why I love these cities, and why I want them back so desperately.
Posted: September 5th, 2008 under General.
Comments: 1




