Archives


Categories

www.flickr.com
This is a Flickr badge showing public photos from Jake Mohan. Make your own badge here.

Links:

Chicago

I was flying out of Chicago at night

I’m beginning to suspect—after being placed on standby for a flight out of O’Hare because I arrived late at the airport and missed my original flight due to a delay on the Blue Line caused by repairs on the northbound tracks which require passengers to be herded off the train and onto a shuttle bus which takes them one stop up the line to reboard the train and continue to O’Hare and pretty much adds another 45 minutes to any Blue Line trip to O’Hare, and getting to sit in first class after I almost didn’t make the cut but then did because the off-duty pilot who was sitting in the first class seat I eventually occupied was willing to get off the plane and take a later flight all so that I could get back home in style with my feet up and unlimited refills on my Sprite and a soft leather seat that reclined way more than the 79 degrees to which the seats in coach recline—that I should miss my flights more often.

RIP 2050

I was in Chicago over the weekend.

This is a good time to apologize to all my friends in Chicago who didn’t know I was in town because I didn’t tell them. I get nervous about informing people about a visit ahead of time because then it’s always disappointing if we don’t manage to get together.

As Sonya emailed me, “Fuck you. You never tell us when you’re around. I miss you.”

Of course, it’s arguably even worse when they find out I was in Chicago after the fact, via something as impersonal as a blog post.

I guess I’m just a colossal failure however you slice it.

But anyway, while in Chicago I took a walk past my old apartment, my first and only home when I lived there. My brother had given me some idea of what to expect, but I was still startled and a little bit sad to see it for myself.

I mean, don’t get me wrong: that place was in serious need of renovation. Parts of the foundation were sinking into the ground, so that our living room floor had a few degrees’ incline. And it’s not like the place was an architectural landmark or anything.

But we all know that human nostalgia runs counter to structural improvement.

It’s surreal to look into what used to be my bedroom.

Or that window in the upper right-hand corner, just inside of which I could usually be found every weeknight at six p.m., drinking beer and playing GameCube or watching Simpsons reruns.

So long, #3E. You were good to me. And Jason. And the sixteen roommates he had in the three years before I moved in.

And I can now say, with 100% confidence, that I know exactly how the residents of New Orleans felt after Katrina.

My cameo in Chicago

As some of you know because you saw me there, I was in Chicago this weekend for about twenty hours. I paid my broseph a surprise visit and partied with him, Dino, Nick, Leah, and a bunch of other homeslices.

It was a rousing success, except I got way too drunk because I hadn’t eaten enough and was sleep-deprived because I had to get up early on Saturday morning to get on the train. Oh yeah, I took the train to Chicago. It was sixteen total hours of slow-moving, cross-country, Kerouacian romanticization of modern travel. I actually enjoyed it quite a lot: I got some reading and writing done, drank a $5 Sam Adams in the lounge car, and the seats are waaaay more comfortable than an airplane’s.

More photos from the party, and more fruity train photos, can be found in the gallery.

Two Thousand Sex

More here.

2005 (the year in music)

Hood, Outside Closer When the year was still very new, I got off the train after work one day and was standing outside the Damen stop when I thought I saw an ex-girlfriend leave the station. She walked north to the six-way and, against my better judgment, I followed her, determined to confirm her identity. She went into Starbucks and I tried to peer through the front windows without being obvious about it, but the glass was fogged up and it was difficult to see anything and I never determined if it was actually her. She did turn around, and I think she may have seen me. Busted.

Archer Prewitt, Wilderness At the beginning of the year I quit drinking for a few weeks, and so my guilty pleasures were the New York Times Sunday crossword and the early rounds of “American Idol”. And, to a certain extent, the six-week writing class I took, which met every Thursday night on the top floor of a brownstone in West Lakeview. Something about it seemed indulgent, a tiny and very different precursor to the writing program in which I’d find myself later in the year. Driving up there always took at least half an hour because of the snow and the traffic, and I didn’t care about being on time.

Andrew Bird, Andrew Bird & The Mysterious Production Of Eggs In late March my brother and I spent a lazy Saturday walking around Bucktown, heading north aimlessly until my sense memory led us to the Charleston, a place I’d only been once before, and we sat at the bar and drank straight whiskey and talked about girl problems. Someone behind the bar played this album in its entirety, and my brother and I whistled along with it between uncertain assertions. As usual, I coudn’t stop playing with my coaster.

Spoon, Gimme Fiction The first and only bachelorette party I’ve ever attended was Katie’s, in Iowa City, in mid-April. Ransom and Joe and Zeb comprised the other male attendees, and our gift to her—$50 of hobo wine—wasn’t nearly as raunchy as that given by the female attendees: a host of sex-toy novelties, the best of which was headgear that emulated the old arrow-through-the-head trick, except with a phallus. We all got drunk in a hotel room high above the pedmall, then watched Katie run riot though various bars downtown, accosting complete strangers and yelling: “I’ve got a dick through my head! A dick through my head!” The undisputed highlight was the piano bar, where Katie accompanied the pianist on songs by Tenacious D and others.

Beck, Guero The penultimate weekend in May was spent in an especially drunken haze. Dino and Adam and I went stumbling around Lakeview and Bucktown and points in between, stopping briefly at Marie’s Riptide Lounge where we were the only patrons beside Mancow, about whom Dino became increasingly vehement and vocal until we almost got kicked out. The next day I played most of the Scissor Sisters album on the jukebox at Timber Lanes, then absconded to Leisel’s where I sat on her rooftop with a reasonably good view of the city and the sun in a cloudless sky, drinking cans of beer with Leah and others. I got tipsy and laid down on the roof, drifting in and out of a sun-stung sleep while the conversation continued around me.

The Hold Steady, Separation Sunday Returning to work after the weekend of Intonation wasn’t easy. For the first time in recent memory, I was oversaturated on music, my tolerance reached and surpassed, and didn’t want to listen to my iPod any more than I wanted to do my job. It was like the morning after a slumber party candy binge. But twenty-four hours earlier, at the height of a sweltering midsummer Sunday afternoon, I’d gotten drunk off an unimpeded flow of Goose Islands smuggled out from backstage by people with suspiciously-procured VIP laminates. Later, backstage, I shook hands with Craig Finn, who was probably exponentially drunker than I was. But the more appropriately dark and drunken milieu was the Empty Bottle a month prior, where a large group of people drunk on Scotch and PBR descended for a much longer, more raucous set. Summer began that weekend, and everything got just a little bit stranger.

Sufjan Stevens, Illinois I had to leave Chicago to figure out how much I loved it, and the further I got from that town, the more I missed it. In early August, I was at a large bacchanalian celebration on a friend’s farm just northeast of the Cities, and various radios placed around the property were all tuned to the Current, and on the morning they were all playing “Casmir Pulaski Day” was when I first knew the separation would be difficult, that it wouldn’t be a clean break. The same song was played several times in Aden’s living room on my last night in town, and I was getting preemptively sodden and sentimental on cheap whiskey. When Sufjan played “Chicago” at First Avenue a month later, I cheered with the same enthusiasm one displays for the home team at an away game.

The Books, The Lemon Of Pink
Certain small geographic points serve as microcosms for entire eras. One such place is the corner of Pierce and Damen. I rounded that corner every morning at 8:43 a.m. in all kinds of weather, most recently in the uncomfortable morning heat of Chicago in July, the kind that makes one sweat through one’s business casual attire and wish one had worn an undershirt. Other such loci existed all over the neighborhood, less obvious than bigger landmarks like the six-way—the corner of Iowa and Hoyne just south of 909, the alley shortcut from my old apartment to D&D, the little conduit that Cortez makes between my brother’s place and the Empty Bottle.

John Vanderslice, Pixel Revolt In June I went to my five-year college reunion, held six years after I graduated. I was assigned a room in the oldest dorm on campus, just two doors down from the room where I lived when I first arrived at college: a corner spot with a good view of the Fox River, that view now impeded by the giant new dorm they’d constructed on the bank. The hallways and the bathrooms still smelled the same: old sweat and mildew and freshman desperation. I took a nap on the second afternoon of the reunion, pushing the narrow twin beds together and cracking the window to alleviate some of the unairconditioned, hardwood mustiness. The reunion itself was anticlimactic, and the moment I got back to Chicago I called Lauren and we dispatched two bottles of red wine and I got ready for the next thing, whatever that was.

Odd Nosdam, Burner / Röyksopp, The Understanding
Every Monday, throughout the spring and summer, I met with my therapist after work. I’d stay half an hour late, maybe grab dinner with Nina and whomever else was still around, then walk north and east to the old professional building on Michigan Ave where her office was located. I was perpetually worried I wouldn’t have enough to discuss, but always managed to fill the hour, and when I got done with the appointment at seven-thirty, the sun would still be up, and on my way back to the Blue Line I’d usually place a call to Aden to see about getting wings at Cleo’s.

The Pernice Brothers, Discover A Lovelier You
In late July I experienced the incongruous nuisance of a head cold in the summer. I walked to and from work sweating and chewing on zinc tablets. I played a Nolan show at the Subterranean high on beer and pseudoephedrine. Dino and I got drunk with Joe Pernice at the Empty Bottle. Dino introduced me to him using the MFA connection. It was the first in my month-long series of goodbyes to the city.

Boards Of Canada, The Campfire Headphase / Broken Social Scene, Broken Social Scene
It was September and it was raining very hard. I was trying to get to a potluck that Arlene and her husband were hosting. I went through an underpass on Broadway, where some cars were turning around because the water was so high. I plowed right through it because I am an idiot. Afterwards, my car was making funny noises and a piece of plastic near the front left tire had come loose and was dragging on the ground. I eventually got to Arlene’s, and then to the Fine Line to see Michael Penn.

Elbow, Leaders Of The Free World
When my brother visited me during the last weekend in September, I drove down to Nicollet Mall on Friday afternoon to meet him. He had taken the Light Rail from the airport and was due any minute. I couldn’t find a place to park for free and so I just made a huge square circuit around the mall, unable to slow down or stop, attempting to navigate the seemingly capricious network of one-way streets and bus lanes, eventually seeing him in front of Nieman Marcus. I stopped the car long enough for him to jump in, and because we were sitting in a car and I had to begin accelerating again immediately, our hug was awkward. Beginning then, and lasting throughout the weekend, was a persistent feeling that that either he should move to Minneapolis or I should move back to Chicago, because we weren’t living in the same town, and that didn’t make any sense.

Rogue Wave, Descended Like Vultures / Jan Jelinek, Kosmischer Pitch I celebrated the end of my first semester by getting snow tires put on my vehicle. I took satisfaction in the fact that all of my students were bright, conscientious people and not fuck-ups. I attended First Ave’s 35-year birthday party. I spoke with people on the phone about the upcoming holidays. (I’m just listing things now.) I got drunk at JetSet. I made sure the cat had enough food and water. Tara and I watched Magnolia on vicodin. We took Karen out for sushi. I burned the Fifth Season of “Six Feet Under” onto DVDs for Emily. I re-read “Out Of Ohio”. I used the Internet to purchase Christmas gifts for people. I went to a Hannukah party. I continued my slow slide into the sweet torpor that a recess between academic semesters dictates. I try to remain in a constant state of quiet exhilaration.

August & September

I’ve already been reacquainted with yet another phenomenon I haven’t experienced since college: computer labs. Oh, what fun! Who doesn’t love the inadequate ventilation, smells of unknown origin, loud conversations, and malfunctioning technology that are unique to college computer labs?

Plus, you get to look at other people’s shit when they forget to log out. Yesterday, while using one of the graduate lab’s computers, I was a little disappointed when I opened a document someone had saved to the desktop as “Anal Rope Response” and it turned out to be a film analysis critique of the Hitchcock film Rope.

I’ve also been noticing more differences between Minnesota Nice and Chicago Mean. For example, the other day I went to the union to get my student ID card (or “UCard,” to use the preferred nomenclature) and the woman working was very very polite and sympathetic about telling everyone in line that they were too late to get their IDs before the office closed. She not only suggested alternate locations where they could get their cards; she also let in a few students with extenuating circumstances, served everyone in line homemade apple crisp, ice cream, and hot chocolate, then gave us each ten dollars to go buy ourselves some candy at the corner store.

In Chicago, by contrast, someone in a similar capacity wouldn’t even tell you the office was closing, they’d just slam the door in your face, taking your fingers with it. Then they’d describe the unsavory acts they’d commit with members of your immediate family if you didn’t vacate the premises immediately.

Of course, I’m using hyperbole. That’s a literary device I just learned about because I am a graduate student. It means, “making broad generalizations about various regions of the United States based on evidence that is, at best, untenable.” It’s a strategy most frequently employed by stand-up comedians and uninspired bloggers.

By the way, I’ve been done with Infinite Jest for a while now and I’m not currently listening to the Loud Family, but I can’t figure out how to edit my template because I am an idiot. So just ignore my sidebar (as if you weren’t already). Jason fixed it.

Are you still right? What have you learned?

“I’m an obtuse man, so I’ll try to be oblique.”

Orientation began today. First on the agenda was, according to the schedule we were given, “coffee and beagles.” This was either a typo or a lame pun alluding to a famous Twin Cities native. But the session itself was informative and very low on time-wasting chatter. I got to know a few of the other people in my program and was reassured to learn that we’re all more or less in the same (leaky) boat: we’ve been out of school a few years, we are intimidated and overwhelmed by all of this, we want to write but aren’t sure exactly how. The recurring message of our TA training thusfar is: “Remember, your students will be more afraid of you than you are of them.” That’s reassuring, but I’m pretty sure they’re thinking of bears.

A good friend reminded me yesterday to view this as merely a step in a larger process—I am not always going to be this overwhelmed, this confused, this disoriented, or this lonely. Any time we do something new in our lives there is an inevitable and necessary period where we don’t know a damn thing. Every time we relocate we are bound to spend a few weeks, if not months, as auslanders. I tried to keep this in mind while parsing the bus schedule this morning, flustered by a system that seemed Byzantine compared to the CTA I could negotiate blindfolded in a city four times the size of Minneapolis. Then again, I was at least this clueless, probably more, when I first moved to Chicago. But there’s really no way around that period of acclimation. Unless you plan on spending your entire life on the same square mile of turf where you were born, you are going to face many transitions and many stranger-in-a-strange-land experiences. I’ve never been very good at leaving my comfort zone. But I’d like to think I’m getting better.

That is my wise zen teaching for today. Now on to more important things:

1. I got a bike today. It is blue.

2. Minneapolitans get the best sleep in the country.

3. Today’s college freshmen were born in 1987. That just might cause me to lose enough sleep to negate the previous item.

‘Tis the playlist

Goodbye Chicago

1. Tortoise: It’s All Around You
2. Rilo Kiley: The Good That Won’t Come Out
3. Sufjan Stevens: Chicago
4. Sam Prekop: Two Dedications
5. Wilco: Muzzle Of Bees
6. The Long Winters: Carparts
7. Talk Talk: After The Flood
8. Annie: Heartbeat
9. The Pernice Brothers: My So-Called Celibate Life
10. Broken Social Scene: Cause = Time
11. Air: Universal Traveler
12. Scissor Sisters: It Can’t Come Quickly Enough
13. Travis Morrison: Represent
14. Archer Prewitt: The Day To Day

Three rooms

50 things I’ll miss about Chicago

1. Tuman’s
2. The blue line
3. The Beachwood
4. Tortoise
5. The Hideout
6. Signs Now
7. This Is Grand
8. Wings at Cleo’s
9. The Pontiac
10. Our Friends Electric
11. Archer Prewitt
12. Estelle’s
13. Lunch by the fountain
14. Millenium Park
15. Nolan
16. The Apple Store
17. Flash Taco
18. D&D
19. The laundromat
20. 1056
21. Picante
22. Danny’s
23. Pot Pan
24. The Rainbo
25. Andrew Bird
26. Our shitty practice space on Austin
27. Festivus
28. Kickball
29. Kickball parties
30. Avoiding Lincoln Park
31. The occasional foray into Lincoln Park
32. The Elections
33. 2133 W Augusta
34. Naps on my insanely comfortable couch
35. Intonation
36. Innjoy
37. Small Bar
38. Bowling at Lincoln Square lanes
39. Movies at Grant Park
40. Reckless
41. Myopic
42. The Empty Bottle
43. The workmates
44. North Ave Beach
45. 2050 W Potomac
46. The Old Town Ale House
47. The Charleston
48. The Reader
49. 909 N Leavitt
50. My brother

Oh what a night.

Had a generally successful weekend. My last day of work went well; I parted amicably with all of my coworkers, even my bosses, and then got shellacked at a bar afterwards thanks to their $10 all-you-can-drink special and some novelty shots bought for me by my work friends. But I think I’m growing up; around ten p.m. I actually said aloud, “I can’t possibly drink anymore,” hugged everyone goodbye, and cabbed it home. Or at least, that’s how I remember it.

Saturday night we went to Innjoy for Kate’s going away party and requested several 80s songs. The DJ played all of them except Dino’s Ric Astley request, which he (the DJ) said he “might have on vinyl” but apparently wasn’t able to find. Also, they were showing this film on the TVs, which as far as we could tell is the black Karate Kid. To top it all off, Dino treated us to his singular rendition of “Oh What A Night”. Good times were had by all.

Now I’m unemployed and trying not to brag about it to my working friends. It feels pretty damn good, though, and today’s been very productive. All you working stiffs out there can just take comfort in the fact that my good cheer will steadily decline in direct proportion to my checking account balance.

Take this job and kindly shove it

Well, that was fun.

Thanks to everyone who came out to the Nolan show. I think it was probably among the best sets we’ve ever played, and possibly the best crowd reception we’ve ever had outside Iowa City. I guess it helps when the show is free and there are Sauza tequila girls handing out free margarita shots. They were also taking free Polaroids, so Dino and Chris and I now have a photo all ready for the next album cover.

And today, of course, is my last day of work. While I still have three weeks left in town, and while I couldn’t be happier about quitting my job, there’s a palpable sense that with the end of my job, a big component of my life as a Chicagoan is coming to a close. For better or worse I’ve spent the last eighteen months trudging up Hoyne every day and getting on the same Blue Line train at Damen with the same group of strangers, discovering Sufjan Stevens and cLOUDDEAD and Crowded House on my iPod during the half-comatose morning train rides, reading books by the fountain outside my building, eating mediocre lunches at various South Loop restaurants. I’m a closet sentimentalist, so I tend to imbue even the most mundane minutiae with nostalgic significance, even things that most people would probably rather forget. I could probably get nostalgic about an emergency room. The point is, there are things I’m going to miss, even while I might be bitching about them now.

Which appertains to my job as well. When people around the office ask me how I feel about leaving, I’m generally honest and say that I won’t miss the work, but I will miss the people. Which is true; I think it’s fascinating the way bonds form between people who’ve been arbitrarily thrown into an office together. So much is circumstantial. But I guess I must have something in common with this handful of people, because we’ve shared ridiculously candid lunchtime conversations, off-color email jokes, the fealties and animosities of office politics, and of course the licentious happy hours. They’re intelligent, compassionate people who just happen to be stuck in the same dead-end job I am. Or was. Here’s to them.

Update It’s 1646 and I’m sitting at an empty desk with nothing to do. All the files have been deleted from my hard drive, emails in the trash, incriminating papers shredded. I haven’t felt this nothing-to-do feeling in eighteen months. And it feels pretty damn good. But I also have a strange twinge, that vague wistfulness that attends the ending of things, a subject without a predicate. And that’s when it hits me, sure enough, against the relief of escape: I’m going to miss this place.

True summer nights

The last two nights have been consecutive examples of Why I Love Chicago And Will Be Sad To Leave.

Tuesday night I saw Annie Hall at Grant Park. We got there too late to get good seats, I sat on hard unforgiving dirty ground, the lower third of the screen was blocked by the people in front of us, and the sound wasn’t loud enough at times. I loved it. I guess it’s a testament to the brilliance of the film that I still enjoyed the shit out of it even in those conditions. Not that it wasn’t a lovely night to sit in the park with friends—waiting for the movie to start in that crepuscular interim during which the millions of windows in the skyline to our left stood in gradually starker contrast to the darknening sky around them—drinking wine and laughing our asses off at a movie that makes a lot more sense now than it did when we first saw it as teenagers. Jesus, what a funny, true thing.

And then last night I went to the Empty Bottle with some true rock-fan friends of mine to get my ass removed by the mighty sounds of Drunk Horse. (Apparently, I’m no longer sick of music.) Sometimes I forget what music can be, and then a band like Drunk Horse comes along and clears all the bullshit away and reminds me. They segued seamlessly from one of their originals into the closing section of Pink Floyd’s “Echoes”, and Dino and I doubled up with laughter and awe and high-fived each other and pumped our fists and ordered another beer. Fuck. Yes.

Fully Intonated

My pictures from the weekend’s Intonation Fest are up in the Gallery. My overall impression of the weekend is extremely positive. I usually loathe rock festivals and big crowds, but this one was very well-run, went very smoothly, and the crowd was extremely well-behaved. Security was present, but lax enough to permit much contraband-smuggling and backstage-sneaking and free-beer pilfering. And the bands rocked, of course. Now I’m exhausted, but in a good way.

There was also a kickass party on Friday night, pictures of which are forthcoming.

Please Pardon the Hideousness of My Visage; it Seems My Face has Been at Least Partially Rocked Off by Excellent New Music

It’s the beginning of a new month, and it’s also Amazing New Musical Amazingness Friday here at jakemohan.net.

For several days now I’ve been itching to sing the praises of Sufjan Stevens’ new album Illinois, and the time has finally arrived. There’s not much I can do in the way of articulating my feelings about it, though, except to say HOLY FUCK, WHAT A GREAT FUCKING ALBUM. I realize some might consider it gauche for me to say this about an album whose creator and his music are openly Christian, but I don’t think Sufjan would mind too much. He’s one of those open-minded, sane Christians that seem to be getting pushed farther and farther into the margins these days.

But I digress. The music is, yes, brilliant. Much of it is reminiscent of his last hagiographic state portrait, Greetings From Michigan, The Great Lakes State!—the odd time signatures and the long suites, the ornate orchestral arrangements, the twee choirs and glockenspiel and ambient Steve-Reichian interludes. But if that’s what you love about his music, you won’t mind the same formula repeated here. Beyond that, what makes the songs so compelling is the lyrics’ narrative arc, the rich anecdotal historicity and state folklore that Stevens has put together with such evident care.

And then there are the song titles. Every review of this album, good or bad, will find it impossible not to point out the too-clever-by-half song titles, some of which are so long that your iPod won’t finish scrolling them across its screen before the song has ended. I only mention them here so I can talk about the songs and get on with things. The album’s first “big” song, “Come On Feel The Illinoise” is split into two parts: first there’s the 5/4 triumphalism of “The Columbian Exposition”, with his (extremely cute, I must say) background singers delivering a bracing chorus that culminates in “We invented the ferris wheel!” The second half of the song concerns the narrator’s visitation by the ghost of Carl Sandburg.

That’s another great thing about these songs: they double as religious allegories even as they exposit ostensibly historical and secular phenomena. The first track, the beautifully delicate “Concerning The UFO Sighting Near Highland, IL” could either be about an alleged UFO sighting or a holy visitation, especially when the first line is “When the revenant came down…”

Speaking of beautifully delicate, “John Wayne Gacy, Jr.” is kind of a choker-upper, especially the trembling falsetto “Oh my God!” at the end of the first verse. Leave it to Sufjan Stevens to evoke sympathy for a serial killer, and the brutally honest admission that he identifies with the song’s protagonist during the chorus: “In my best behavior, I am really just like him.”

The album proceeds through a long series of songs which are matched in their musical ambitiousness by the elaborate—and historically informative—lyrics. “Jacksonville” has some terrific interplay between Stevens’ ubiquitous banjo and some countryish electric guitar, and concerns one of the nation’s more controversial presidents. (If GW Bush had been born about two hundred years earlier, he would have been Andrew Jackson: appointing his best friends to governmental posts, royally fucking over the Native American population, and just generally being an all-around dick.) The back-porch reverie of “Decatur” features backing vocals by someone who could pass for Will Oldham but isn’t.

And then there’s “Chicago”. Of course this is the track we all want to know about. Well, from the first ascending vibraphone line, you know it’s going to be something tremendous. I got shivers the first time I heard this song. Listening to it now is a bittersweet ritual of preparation for my departure from the city in six weeks’ time. Okay, now I’m being mawkish, but really: fucking put this on and drive south into the city on 94 with the sun setting and describe to me what the hairs on the back of your neck are doing. (Just don’t try to do it in my car, because it still doesn’t have a stereo.)

Sufjan breaks out a distorted electric guitar for the stomping “Man Of Metropolis”. I had no idea there was an actual Metropolis, located at the southernmost tip of the state. It’s not a big city, but they do have an annual Superman Celebration, a giant fiberglass Superman, and in 1972 the town was declared the official home of Superman by the Illinois State House. See? Important legislation does get passed every now and then.

After a few more songs and some more humorously-titled interludes (I think “Let’s Hear That String Part Again, Because I Don’t Think They Heard It All The Way Out In Bushnell” is a personal favorite), the album’s last epic, “The Tallest Man, The Broadest Shoulders” begins with triangle, handclaps, and a fantastic 11/8 piano cadence. Forgive my drum-geekery, but I’ve never heard a drummer sound so at ease with 11/8. Let’s hear it for 11/8! Well done, [quickly checking All Music Guide] James McAlister! Anyway, there’s some more choral exuberance from the cute background singers, a terrifically staggered drum fill about halfway in, and references to a carpenter who may or may not be Jesus. Once again, genius.

So, that’s my breathless review. I hereby throw my hat into the ring of overwrought music bloggers who will be gushing all about this album before and after its release next Tuesday. It’s so good, I plan on actually purchasing it and replacing my downloaded copy. Yeah, you heard me right. And my appreciation for this ridiculously talented man is only further intensified by a story I just read this morning about him recording a song for NPR based entirely on taped interviews with citizen of a little town called Brinkley, Arkansas. People this talented and prolific tend to make me a little nervous. Just settle down, Sufjan. You’re young, still. But then, I suppose he can’t really take a break if he plans to record an album about every state in the Union, as he’s pledged.

The other amazing New Musical Amazingness I is something literally discovered just a few hours ago, and that’s the Wilderness. I’m about 50/50 when it comes to either loving or disregarding Hot New Bands Heralded By Pitchfork, but I think this album falls squarely in the first category. There are only a few times in one’s musical history when a band sells itself 100% within the first ten seconds of the first song, but as soon as the opening track “Marginal Over” started, I was right there with it. It’s even more impressive when a Hot New Band manages to win you over with the old bass-drums-guitar formula. It probably doesn’t hurt that the lead singer channels David Byrne by way of Ian McCullough, and the drums are mixed way to the front in a very pleasant, natural, early-90s-alternative way. What’s more, “Marginal Over” is kind of a stupid name for a song, so this song accomplishes the added feat of overcoming a dumb title and kicking ass. Plus, they’re from Baltimore. Shout out to Charm City!

So I’m going to go grab a Diet Coke, sit down at my desk, not do work, and listen to this album and maybe some other Amazing New Musical Amazingness. I haven’t even gotten the new New Pornographers. Oh FUCK I love music.